Killing Me Night and Day

Stess - Killing Me Night and Day



  1. Burning In Your Fire
  2. Never Should Have
    Turned Around
  3. Don't Need No
  4. Killing Me Night & Day
  5. Prime Time To Party
  6. Save Me
  7. Can't Get Over You
  8. It's Too Bad
  9. Search For The Fool
  10. You're So Critical
  11. It Makes Me Mad
  12. Friday On My Mind
  13. Let Me Make It Alright*
  14. Don't Let Go*
  15. Key To Your Heart*

*featuring Jimmy Crespo
(Aerosmith, Rough Cutt)


It seems hard to believe now, but starting in the early 1980's and continuing into the first years of the next decade, San Diego, California was home to a thriving rock music scene. The suburbs of El Cajon and Chula Vista were full of young men with pointy-headstock guitars and music collections (on vinyl, naturally) loaded with bands like Iron Maiden, Judas Priest, and Van Halen. There was ample testosterone for wine, women and song. Some groups dabbled in the dark imagery associated with "devil bands", but hardly anyone took it more seriously than pro-wrestling. The most musically advanced group from San Diego was Stress.


Stress was founded in 1983 by bassist Josquin des Pres and vocalist/guitarist Mike Thomas to merge the energy of rock 'n' roll with their extensive jazz chops. They added guitarist Tim Nicholson and went through a number of drummers; most notably hard hitter Leroy Vega (formerly of Assassin). When Nicholson left in early 1985, he was replaced with axe-slinger Jimmy Crespo fresh from a stint with Aerosmith.

As players, Stress were a singular group. Nevertheless, they projected the rock 'n' roll image required to put on the kind of show which was de rigeur in the Eighties. Stress performed primarily in San Diego and Los Angeles; building a following with fine songwriting and the highest level of musicianship.


Those who stopped by to appreciate Stress' skills at L.A. clubs like Madame Wong's, FM Station and The Troubadour, were rock gods Billy Sheehan, Whitesnake's rhythm section of Rudy Sarzo and Tommy Aldridge, as well as fusion jazz player Jerry Goodman of The Dixie Dregs, bassist Bunny Brunel and guitar goddess Jennifer Batten (of Michael Jackson fame).


In late 1987, frustrated by not attracting major label attention, Stress decided to move in a more pop direction, rather than emphasize the musicianship that set them apart from other Southern California rock bands. Failing to obtain the level of success they had fought hard for, Stress disbanded. These recordings cover the entire history of the band, from 1983 until their break up in 1987.

- Mark Landsman


  • LP Killing Me Night & Day - Bernett Records, 1984
  • 7" Killing Me Night & Day/It's Too Bad - Burnett Records, 1984
  • 12" Search For The Fool/You're So Critical - N.E.W. Records, 1985